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Wednesday 29 May 2013

Jai Maata Di

Maata Rani Ki Jay








Mata

Gajanan

GaneshJi

Hanumanji with Mrityu Sanjivani

Kaliya Dalan

Raas Lila

NanakJi

Radha-Krishna

Bhaironath

Nine (9) Avatars of Maa Durga

Avatars of Maa

Maa - ShailaPutri_1


Maa - Brahma Chaarini_2


Maa - Chandraghanta_3


Maa - Kushmanda_4


Maa - Skadamata_5


Maa - Katyani_6


Maa - Kaalratri_7


Maa - Mahagauri_8


Maa - Siddhidatri_9


Sunday 12 May 2013

Famous Country House

Really attractive

Magical Monastery in Norway (900 Yrs)

Incredible View of Prtugal

Barcelona in Spain

Costa Atlantica-Norway

Apartment Building in Thailand

Nachi Falls in Japan

Glorious view of Texas

Pub in Hobbiton

World's first moving Tower - UAE

Light reflection in Building - China

Ideal Palace - France

Hawaii

Mexico

Miami


Philipines


Poland

Portugal

Switzerland

Ukrain

Spain 

San Alfanso

Education for Girl


Education of the Girl Child
Vedic literature praises the birth of a scholarly daughter in these words: "A girl also should be brought up and educated with great effort and care." (Mahanirvana Tantra); and "All forms of knowledge are aspects of Thee; and all women throughout the world are Thy forms." (Devi Mahatmya)
Women, who so desired, could undergo the sacred thread ceremony or 'Upanayana' (a sacrament to pursue Vedic studies), which is only meant for males even to this day. The mention of female scholars and sages of the Vedic age like Vac, Ambhrni, Romasa, Gargi, Khona in the Vedic lore corroborates this view. These highly intelligent and greatly learned women, who chose the path of Vedic studies, were called 'brahmavadinis', and women who opted out of education for married life were called 'sadyovadhus'. Co-education seems to have existed in this period and both the sexes got equal attention from the teacher. Moreover, ladies from the Kshatriya caste received martial arts courses and arms training. 

Wife-hood, Prostitution, Divorce, Widow-hood in Vedic Era


Wife-hood in the Vedic Age
As in present, after marriage, the girl became a 'grihini' (wife) and was considered 'ardhangini' or one half of her husband's being. Both of them constituted the 'griha' or home, and she was considered its 'samrajni' (queen or mistress) and had an equal share in the performance of religious rites.

Prostitution in the Vedic Era

Prostitutes were very much a part of the Vedic society. They were allowed to make a living, but their lives were regulated by a code of conduct. They came to be known as 'devadasis' - the girls who were married to God in a temple and expected to spend the rest of the life as his maid serving the men in the society.


Divorce, Remarriage & Widowhood
Divorce and remarriage of women were allowed under very special conditions. If a woman lost her husband, she was not forced to undergo the merciless practices that cropped up in later years. She was not compelled to tonsure her head, nor was she forced to wear red sari and commit 'sahagamana' or dying on the funeral pyre of the dead husband. If they chose to, they could live a life of a 'sanyasin' or hermit, after the husband passed away. 

Women and Sati of the Vedic Period


Women of the Vedic period
Women of the Vedic period were epitomes of intellectual and spiritual attainments.
Myriad hymns of the Vedic era bear testimony to the wisdom of contemporary women and names of 27 women-seers emerge from them. But most of them are mere abstractions except for a few, such as Ghosha, Lopamudra, Sulabha Maitreyi, and Gargi, who are some of the most significant female figures of the Vedic period.
Ghosha: Daughter of Kakshivat, composer of hymns of ancient Hindu scriptures, Ghosha has a few hymns and verses, assigned to her name.
Lopamudra: She was 'created' by sage Agasthya and given as a daughter to the King of Vidarbha. The Rig Veda testifies to her great intelligence.
Maitreyi: The Rig Veda contains about one thousand hymns, of which about 10 are accredited to Maitreyi, the woman seer and philosopher.
Gargi: She was a Vedic prophetess and daughter of sage Vachaknu. She composed several hymns that questioned the origin of all existence

Sati of the Ancient period

Sita: She was beautiful, generous and saintly. Unfortunately, Sita’s chastity during her period of capture by Ravana comes under scrutiny, and she has to go through trial by fire to prove her purity. But queen, who emerged from the earth at her birth, invokes Mother Earth to take her back into the earth, and the saintly Sita returns to her Mother, never to reappear again.

Sabitri: She escaped her husband from Yamraj by her purity, determination, devotion and love towards her husband- Satyaban.

GODDESS


Goddess in Vedic Period
During the Vedic age, more than 3,000 years ago, women were assigned a high place in society. They shared an equal standing with their men folk and enjoyed a kind of liberty that actually had societal sanctions. The ancient Hindu philosophical concept of 'shakti', the feminine principle of energy, was also a product of this age. This took the form of worship of the female idols or goddesses.
Birth of the Goddess
The feminine forms of the Absolute and the popular Hindu goddesses are believed to have taken shape in the Vedic era. These female forms came to represent different feminine qualities and energies of the Brahman. Goddess Kali portrays the destructive energy, Durga the protective, Lakshmi the nourishing, and Saraswati the creative.
Here it's notable that Hinduism recognizes both the masculine and feminine attributes of the Divine, and that without honoring the feminine aspects, one cannot claim to know God in his entirety. So we also have many male-female divine-duos like Radha-Krishna, Sita-Ram, Uma-Mahesh, and Lakshmi-Narayan, where the female form is usually addressed first.

Marriage - A system in the Society


Marriage

There are eight types of marriage described in the ancient Hindu text of Manusmriti or "Manava Dharma Shastra":

1.      Rite of Brahmana (Brahma) – The system where the father of the bride invites a man learned in the Vedas and a good conduct, and gives his daughter in marriage to him after decking her with jewels and costly garments.

2.      Rite of the Gods (Daiva) - The daughter is groomed with ornaments and given to a priest who duly officiates at a sacrifice during the course of its performance of this rite.

3.      Rite of the Rishis (Arsha) - When the father gives away his daughter after receiving a cow and a bull from the bridegroom.

4.      Rite of the Prajapati - (Prajapatya) The father gives away his daughter after blessing the couple with the text "May both of you perform together your duties".

5.      Rite of the Asuras (Demons) - When the bridegroom receives a maiden after bestowing wealth to the kinsmen and to the bride according to his own will.

6.      Rite of the Gandharva - The voluntary union of a maiden and her lover, which arises from desire and sexual intercourse for its purpose.

7.      Rite of the Rakshasa - Forcible abduction of a maiden from her home after her kinsmen have been slain or wounded and their houses broken open.

8.      Rite of the Pisaka - When a man by stealth seduces a girl who is sleeping or intoxicated or is mentally disbalanced or handicapped.


Women & Marriage

Eight types of marriage were prevalent in the Vedic age, of which four were more prominent. The first was 'brahma', where the daughter was given as gift to a good man learned in the Vedas; the second was 'daiva' , where the daughter was given as a gift to the presiding priest of a Vedic sacrifice. 'Arsa' was the third kind where the groom had to pay to get the lady, and 'prajapatya', the fourth kind, where the father gave his daughter to a man who promised monogamy and faithfulness.

In the Vedic age there was both the custom of 'Kanyavivaha' where the marriage of a pre-puberty girl was arranged by her parents and 'praudhavivaha' where the girls were married off after attaining puberty. Then there was also the custom of 'Swayamvara' where girls, usually of royal families, had the freedom to choose her husband from among the eligible bachelors invited to her house for the occasion.